The Amazing Digital Circus runs circles around the big three (CN, Disney and Nick) in terms of popularity with kids.
But the thing is, the Big 3 can't greenlight their own Amazing Digital Circus because the things that make it popular spit in the face of their conventional wisdom of what a cartoon should be.
- It can't star adults (the youngest TADC character is a young adult)
- A female lead will scare away boys (hello, Pomni)
- LGBT+ rep will cut off overseas markets (looking at you, Zooble)
- Envelope-pushing is out. Shows have to be squeaky clean (TADC's barely-censored profanities)
- Shows can't be scary. (TADC's stuffed with nightmare fuel)
- Showss must be episodic and continuty-free. (You'll be lost if you join TADC in medas res.)
So they're stuck coasting on the diminishing returns of Spongebob, Teen Titans Go, and Phineas and Ferb for as long as cable companies are willing to pay the carriage fees.
But the thing is, the Big 3 can't greenlight their own Amazing Digital Circus because the things that make it popular spit in the face of their conventional wisdom of what a cartoon should be.
- It can't star adults (the youngest TADC character is a young adult)
- A female lead will scare away boys (hello, Pomni)
- LGBT+ rep will cut off overseas markets (looking at you, Zooble)
- Envelope-pushing is out. Shows have to be squeaky clean (TADC's barely-censored profanities)
- Shows can't be scary. (TADC's stuffed with nightmare fuel)
- Showss must be episodic and continuty-free. (You'll be lost if you join TADC in medas res.)
So they're stuck coasting on the diminishing returns of Spongebob, Teen Titans Go, and Phineas and Ferb for as long as cable companies are willing to pay the carriage fees.
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