Uh they aren't going to that, just like Jungle Book is still around , and also because they can't tax write off something from 23 years ago.the original 2002 film is likely going to be erased for a tax write off which I do not want
Uh they aren't going to that, just like Jungle Book is still around , and also because they can't tax write off something from 23 years ago.the original 2002 film is likely going to be erased for a tax write off which I do not want
I am greatly concerned that these remakes will overshadow the originals and Hollywood in general will assume 2D will never make a profit and its for kiddie affair. Not to mention films like Peter Pan, Dumbo, and The Aristocats which have some elements now declared problematic have content advisories on streaming (or even removed from children's profiles. The original material must be preserved for historical sake. "Song of the South" is the only movie where it is largely ignored outside of Japan and other markets. Imagine if they erased any of those films because it doesn't fit today's values.Uh they aren't going to that, just like Jungle Book is still around , and also because they can't tax write off something from 23 years ago.
If the Lilo and Stitch remake does well, the original 2002 film is likely going to be erased for a tax write off which I do not want.
Companies have a right to exercise what material is relevant. I see they can not legally write it off because its past value, but I feel that largely ignoring or vaulting decades worth of history but only showing the material that made one profitable (the Disney+ commercials only showing material overseen by Bob Iger and not the decades before it). I can't imagine years and years of timeless material being buried and overshadowed by Marvel, Star Wars, and current modern day Disney.I'm sorry to be blunt, but it has been explained to you multiple times over multiple different threads on more than one board that old films that have been commercially available for decades cannot be written off for taxes. And if they could be why would original films be written off when a remake does well? That gives them more commercial potential not less. Have you not noticed that Beauty & the Beast (1991), Aladdin (1992) and The Lion King (1994) are all still with us after their remakes all grossed over $1Billion each?
It seemed to get through to you when @Goldstar! told you that old characters cannot be taken as tax write offs, so what part about the same applying to old films are you not getting?
Trying not to be off topic, but the issue with remakes and reboots show that trying to dig up past IPs for nostalgia when in fact the originals are still superior, what is the whole point. Ever since Sean Bailey stepped down, I hope David Greenbaum can champion original projects as much as possible because we can't rely on existing IP forever.@awinger24, mean while, disney is digging out of the fox library, like a new predator movie, a new avatar movie, Buffy reboot, Malcom in the middle revival & ice age 6
Companies have a right to exercise what material is relevant. I see they can not legally write it off because its past value, but I feel that largely ignoring or vaulting decades worth of history but only showing the material that made one profitable (the Disney+ commercials only showing material overseen by Bob Iger and not the decades before it). I can't imagine years and years of timeless material being buried and overshadowed by Marvel, Star Wars, and current modern day Disney.
I do see these anniversary tributes online. I honestly think it would be less expensive and more profitable to reissue these classic films in theaters. This should be a test for WDAS if there is a demand for hand drawn or any type of traditional 2D animation again.There's certainly an argument to be made there, but that's very different from being "erased for a tax write off', which is what you said.
Is it really the case that Disney+ only advertises Iger era work? I don't have it at the moment but when I last had it (the UK variant I suppose I should clarify) they were playing a spot celebrating the 75th Anniversary of Cinderella quiet a bit.
well, have you heard of these?:Walt Disney always wanted to do something different and new when it comes to his films. If they were going to update Snow White, I personally suggest they would have tried to stay faithful to the simplicity of the fairy tale and not add anything that causes any divide or discourse amongst current day climates. The CGI dwarfs should have been real dwarfs too. If they did a remake worthy of the original, try to not remove what made it work in the first place and no more nostalgia pandering. Cinderella 2015 did just that.
Thank you. I think I forgot to add the fact that some of these remakes are trying to be carbon copies of the original. Reimaginings that do their own take like Cinderella 2015 or the examples you provided can work as long as they don't try to nostalgia pander. That's the problem with The Lion King 2019 and other recent remakes. Snow White 2025 tried to mash the two approaches together and it did not work.well, have you heard of these?:
View attachment 314248
View attachment 314249
View attachment 314251
View attachment 314252
and of course, under my protest:
View attachment 314253
these are reimagines of classic tales, not full on remakes of classics (expect for the red riding hood & jack and the giant beanstalk since disney hasn't made those films (the latter they gonna do but got cancelled by John lasseter))
I agreed, its all Tim Burton fault for this thanks to his sorry excuse of anything named Alice in wonderland 2010It's also a problem when you have people going on press tours like Rachel Zegler who try to trash the original film. And trying to change what made the original worked in order to be appropriate for modern audiences. Aladdin 2019 and The Little Mermaid 2023 had these changes that padded out the story. Psychologically, there is also a risk that people might view the original movies as problematic thinking Belle has Stockholm Syndrome and Ariel gives away everything for a boy. And whatever the remakes do to correct it, people will think on first watch it is definitive while the original is just kiddie fare. Not to mention the "Animation is for kids" discourse across Hollywood got backlash too which made me think these remakes devalue the original art.
so, what the future of these?, with Snow White bombing, what the future helds, I don't know the numbers for the live action lilo & stitch movie yet
I have a certain feeling we will get that Tangled remake and countless more until Iger is no longer at the company.The numbers are in for the first weekend of Lilo & Stitch and it did amazing both in America and worldwide, so Disney will probably continue with them for now.
Iger is planned to leave next year.I have a certain feeling we will get that Tangled remake and countless more until Iger is no longer at the company.
Even if he is not CEO after 2026, he could still stay on the company board and have a major influence on all aspects like John Malone is with WBD.Iger is planned to leave next year.