tb4000 said:
Basically if you don't go see this, you're disrespecting Christopher Reeve. That's how it's going to be marketed.
I knew he'd been behind this film for quite some time, since I'd been following the blips of news regarding Mainframe helping to animate the then described 'Christopher Reeves baseball film' (I believe IDT is putting the film out and at the time IDT owned Mainframe as well many other CGI studios which I assume were working together to get the film completed). It disappeared from the radar for a while but now it's out in full force as it's obviously being released.
However, I haven't seen much, if any, mention of Reeves in the film's promotional push other then an article I read somewhere about how the film came into being (his son wouldn't come to dinner because he was so engaged in the book; Christopher thought it'd make a good kids flick). And I've really been surprised by that...since really this film doesn't have much power to push it in terms of big names. So I don't think they're hinging on name recognition, or Christopher Reeve's legacy to sell the film, after all they could work it double considering Dana Reeves voices a character in the film as well. I think the people who made the film are relying on its story and message to push it...which to me, places far more confidence in it's strength as a good movie then big names and gimmicky sells ever would...
Wussycat said:
I'm not particularly fond of the sport, but a great number of America (and numerous other countries), and the film's likely demographic 5-10 year old boys are. But you don't necessarily have to be a fan of something to enjoy a film that uses it's elements...after all, if that were the case I wouldn't have enjoyed
Cars nor
Talladega Nights; since I'm not particularly fond of racing.
2) It's got Whoopi Goldberg in it.
Whoopi can be funny, and if they chose her for the role they likely thought she was a fit for it. Considering the people behind the film seem as though their goal was to make a good film, I expect that their decision to cast Whoopi was the one they thought would fit the best for the character.
In the mean time, rent
Jumping Jack Flash. Good Whoopi film, In my own opinion.
I don't agree. Plots, or at least their most basic structure, are usually simple, more-so with children movies. What's important is how the story fleshes out, not so much what it looks like when you strip it down to a couple sentences.
That being said, I think the plot of : A Famous bat is stolen causing a janitor to get fired. His son sets out to find the bat and save his family from poverty; isn't bad at all...in fact, it lends itself to lots of messages and story devices, which is what a good plot does.
4) The villain is lame. Maybe even lamer than Edgar from The Aristocats.
Does this film even have a real villain? I've seen the trailer a bunch of times, read articles, and what have you...and I've yet to really find a 'villian'. There are apparently people working against the main character with their own adgendas, but from what I've seen I can't determine a clear villainagendas.
Even if there is a villainvillain; I'd like to know how you deduced how grand (or not) he is based off promotional material that doesn't even define him.
Andddddd Lastly, before I get off my soap box

...
Michael24 said:
Personally, I think it looks lame. There's been so many CGI movies this year that I've grown even more sick of them than I had been previously. Please, somebody bring back cel animation. It's sorely missed.
I entirely understand the yearning for 2D animation (Cel Animation...hasn't it been gone for a while? Like...ever since they started using Computers?), and fully support the crowd displeased with the corporate mentality that 2D animation is a dead art form and CGI is the wave of the future. Both can live together, and the world will not implode when they do.
However, I find myself increasingly annoyed with the mentality that "It CGI so it must be bad", which was spawned by it's 'take over' of 2D animation. People stand back and preach to corporate figure-heads that it's the story that counts, but then they blast a film before it even comes out based on its medium alone- and to me, it just goes against the cause really. If this film was done in 2D would your opinion on its story change? What makes 2D animation any less groan worthy then CGI animation? If CG films were replaced by 2D films...would you be thinking "Jeez, not another 2D film"? Why this mentality with CGI films?
I firmly stand by the fact that a film's story should ALWAYS be the deciding factor of it's greatness, not the medium it is in.
...but hey, that's just me.
I may or may not see the film in theaters. It seems like it could be decent enough and I'll always give something a shot (after all I even saw SoaP). I'll definetly see it at some point though.